Poetic of Love (1)

Cinema, in my view, is a mix of discovering and deviation when concerned with the concept of love. Rarely do the witnesses understand that it’s not just an infinite sexual pervert strife, and never this perverseness would be entirely in conformity with the deviation which exists in the nature of a romantic drama. You may always reach to a challenging radical point throughout watching a fundamental love story when you switch your view from a solo witness to an observer and that’s when you discover how cinema is able to endlessly drown you in a kind of poetic that is so tragic and burdensome.

A list:
Betty Blue (1986, Jean-Jacques Beineix)
Breaking the Waves (1996, Lars von Trier)
La Luna (1979, Bernardo Bertolucci)
The Banishment (2007, Andrey Zvyagintsev)
Guilty of Romance (2011, Sion Sono)
Breathless (1960, Jean-Luc Godard)
The Piano Teacher (2001, Michael Haneke)
Cinema Paradiso (1988, Giuseppe Tornatore)
Love (2015, Gapar Noé)
La Strada (1954, Federico Fellini)
Paris Texas (1984, Wim Wenders)
Once Upon a Time in America (1984, Sergio Leone)
A Short Film About Love (1988, Krzysztof Kieślowski)


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